Learning to See, Part X

The limitations in your photography are in yourself. Ernst Haas Diagonal lines, as we learned in our entry, are the subliminal connectors that keep the viewers eye within and moving around the ... See full article

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Learning to See, Part IX

You don’t take a photograph, you make it. Ansel Adams   In our last entry we learned that placing the subject at one of the four primary points of impact within the scene would greatl... See full article

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Learning to See, Part VIII

Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk. Edward Weston   To some photographers composition is an innate... See full article

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Learning to See, Part VII

Whereas photography is about vision, composition is about aesthetics. In our previous readings in this series we learned how colour, contrast and tonal range have a dramatic effect on the overall re... See full article

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Learning to See, Part VI

No Contrast – No Problem The most beautiful composition can be dashed by improper use of color and contrast. CJ Rider As we learned in our last entry, harsh light can work well with bold an... See full article

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